![]() ![]() The music they produced together is a fascinating subset of the jazz genre, and in addition Paul Desmond recorded plenty of music outside of The Dave Brubeck Quartet group as well, marking him as a versatile and expressive voice on the alto saxophone. Certainly his exposure to the classical techniques found in his work are the result of his long and fruitful collaboration with pianist Dave Brubeck. In honor of the late great Dave Brubeck, who was born a century ago on this day December 6. Desmond, on the other hand, while certainly a serious and literate jazz musician of the highest order, managed to forge a distinctive way of playing that follows logically from swing players like Lester Young and Benny Goodman while incorporating many elements of 20th Century classical music, in particular his mastery and use of odd time signatures. Dave Brubeck Paul Desmond Take Five Dave Brubeck being honored at the 32nd Kennedy Center Honors. Take Five - The Public and Private Lives of Paul Desmond By Doug Ramsey, with foreword by Dave & Iola Brubeck Seattle: Parkside Publications, Suite. Most influential alto saxophone players that were active in the 1950’s show some trace of Bird’s style in their work, think Cannonball Adderley or Ornette Coleman. Vanessa Varela, flute, performs Brubecks Take Five in the Gildenhorn Recital Hall at the University of Maryland, College Park, MD on May 9, 2013. He is one of the true innovator’s on his instrument who does not display any influence of Charlie Parker in his work. San Francisco native Paul Desmond forged a unique alto saxophone sound and style that can immediately be identified after one phrase by the studied jazz listener. Music by Paul Desmond, words by Dave Brubeck and Iola Brubeck / adapted and arr. ![]()
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